"Celeste Aida" is a terror for tenors that sing Radamés. Right at the begining of the opera, he has to deliver his most important aria, without having had time to warm up and relax in the role. I have seem many first rate tenor succumb in this demanding aria, a trap that Verdi placed to catch who is good or not. Thiago Arancam gifted us here with a perfect interpretation, technically and artisticly speaking. This heroic performance is another example of his maturity as an uprising star of first magnitude in the universe of opera that certainly will catch the attention of the big Opera Houses. Bravissimo, Thiago!!! May God bless your marvellous talent for singing!!!
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"Celeste Aida" is a terror for tenors that sing Radamés. Right at the begining of the opera, he has to deliver his most important aria, without having had time to warm up and relax in the role. I have seem many first rate tenor succumb in this demanding aria, a trap that Verdi placed to catch who is good or not. Thiago Arancam gifted us here with a perfect interpretation, technically and artisticly speaking. This heroic performance is another example of his maturity as an uprising star of first magnitude in the universe of opera that certainly will catch the attention of the big Opera Houses. Bravissimo, Thiago!!! May God bless your marvellous talent for singing!!!
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